Pixar Style Car Ad Prompt

[Assets]
@Image1 = Face, curly hair, physique, costume, and expressions of the protagonist young man (florist)
@Image2 = Face, large build, plum-colored apron, and waist shears of the villain (male owner of a high-end flower shop)
@Image3 = Face, tied-up hair, and navy uniform of the wedding venue staff (middle-aged woman)
@Image4 = Face, hair, flower hair accessory, and dress of the bride
@Image5 = Flower arrangement, broken flower arrangement, flower transport cases, cart, and arch without flowers
@Image6 = Loading entrance, hallway, and hall of a white wedding venue
@Image7 = Brown wooden florist's shop, signboard, and loading space
@Image8 = Exterior, cargo area, and rear seats folded down of the LUMIO (light leaf-green station wagon)

The characters arranged on each sheet from @Image1 to @Image4 are different angles and expressions of the same person. Do not introduce them as different people.
Do not show sheet borders, labels, English letters, or numbers in the video.

[In a nutshell]
15 seconds | Landscape 16:9 | 24fps.
A kind-hearted young florist has his flower arrangement destroyed by a large man at the wedding venue's loading entrance. Seeing the bride looking downcast, he resolves to load spare flowers into the spacious cargo area of his LUMIO at his own florist's shop. Look of an expressive 3D animated feature film, no dialogue.

[Global Settings]
Basic environment and texture: Sunny morning. Soft natural light. Delicate textures on petals, leaves, fabric, car paint, and glass.
Visuals: Look of an expressive stylized 3D animated feature film. Original human characters. Slightly shallow depth of field. Soft morning natural light.
Camera language: Only one camera movement per cut. Basic is fixed camera.
Characters:
  @Image1 Young Man = Short chestnut curly hair, gentle brown eyes, ivory rolled-up sleeves shirt, sage green apron, dark navy pants, white sneakers.
  @Image2 Villain = Graying slicked-back hair, thick eyebrows, large square jaw, thick neck, broad shoulders, large body. Ivory rolled-up sleeves shirt, deep plum-colored bib apron with floral embroidery, red shears in a leather holder on the right hip, brown leather wristwatch, dark gray pants, brown leather shoes. Condescending gaze and a smirk on one side only.
  @Image3 Staff = Dark brown hair mixed with gray tied up, navy jacket and pants, name tag on chest, small pearl earrings.
  @Image4 Bride = Brown hair tied up, white flower hair accessory on the right side, three-quarter sleeve lace white dress.
  Skin has the soft texture typical of 3D animation. Do not create plastic-like gloss.
LUMIO: Light leaf-green 5-seater station wagon from @Image8. Low and long body, long roof, ivory interior, right-hand drive. Fix the front and rear V emblems, lights, wheels, and window shapes.
Flowers: Centered around white roses, with pale pink and apricot roses, small white flowers, and eucalyptus leaves. Fix the color scheme and case shape from @Image5.
Core of acting: Convey emotions only through eyebrows, gaze, mouth, and posture. The young man's switch from "sadness" to "determination" is the most important.
Number of cuts: This video consists of exactly 5 cuts. Do not add any other cuts or scenes.
Prohibited: No subtitles. No BGM. No dialogue, voices, or humming. No objects popping out of nowhere. No morphing backgrounds or objects to connect scenes. Do not add driving scenes.

[Timestamps]

0-6s [Introduction → Interference] Cut 1 (do not cut mid-way)
Scene: White wedding venue loading entrance from @Image6. Fixed camera at a slightly pulled-back medium shot. Include the floor below the characters' feet in the frame. The large flower arrangement from @Image5 on the cart and the young man from @Image1 are in the center of the screen.
  The staff from @Image3 stands next to the door in the background, more than 3 meters away from the young man. Do not stand next to the young man.
Action:
  0-2s: The young man stops beside the cart, gently adjusts a single white rose with his fingertips, and smiles slightly. He does not push the cart; it remains stopped.
  2-3.5s: The villain from @Image2 walks in from the right of the screen. As they pass, the villain's large right palm strongly shoves the flower arrangement on the cart from the side. Clearly show the moment the villain's hand touches the flower arrangement in the foreground. The young man's hands are off the cart at this time.
  3.5-5s: The flower arrangement falls sideways to the back left of the screen, the base cracks on the floor, and several white rose stems break (state of the broken flower arrangement from @Image5). Flowers scattered on the floor are visible. The young man reaches out with both hands but is too late.
  5-6s: The villain raises only one corner of his mouth, does not look back, and exits to the left of the screen. The staff in the background stop, frowning as they watch the villain.
Intent: Make it clear at a glance that the villain caused the flowers to fall. If the flowers fall while the young man is pushing the cart, it looks like the young man's negligence, so the young man must be stationary. The staff witnessing this is foreshadowing for later, so include them clearly in the background even if small.
Sound: Cart wheel sound → dull thud of hand hitting the cart → sound of flower arrangement falling, dry snap of stems breaking.
Negative: Villain does not punch the young man. Flower arrangement does not freeze in mid-air. No BGM.

6-8s [Bride Beyond the Door] Cut 2 (pause for effect)
Scene: Low-angle fixed camera over the shoulder of the crouching young man. A broken white rose in the foreground. In the distance down the hallway beyond the open door, the arch without flowers from @Image5 and the bride from @Image4.
  The arch is only an ivory metal frame. No flowers or leaves attached.
Action: The young man picks up the broken rose with both hands, lifts his face, and looks into the doorway. The bride stands before the arch, head down, shoulders slumped slightly.
Intent: Show that the young man is worried about the bride's ceremony, not just his own flowers. Do not rush.
Sound: Only faint indoor atmosphere. Almost silent.
Negative: Do not make the bride collapse crying. No BGM.

8-10s [Determination] Cut 3 (pause for effect)
Scene: Close-up of the young man's face. Fixed camera.
Action: Sad face with lowered eyebrows → gaze moves to the right of the screen, towards the LUMIO outside → eyes widen slightly, eyebrows raise, lips press together firmly. Nods slightly with a gentle expression, stands up, and runs off to the right of the screen.
Intent: Switch from sadness to determination using only facial expressions. This is the most important acting in the video. This is not anger, but a positive resolve to "do something for the bride." Do not make it look like revenge against the villain.
Sound: Rustle of clothes as he stands up, footsteps as he runs off.
Negative: Do not furrow brows. Do not glare. Do not make mouth a 'no' shape. Do not open mouth to shout. No BGM.

10-11s [To the Florist] Cut 4
Scene: Outdoors in front of the venue. Camera is behind and to the right of the car. The right side of the LUMIO from @Image8 (driver's side for right-hand drive) is visible.
Action: The young man opens the front right door (driver's seat), gets in, and closes the door. Do not use the left door.
Intent: Do not show driving. The sound of the door closing implies he arrives at the florist instantly.
Sound: Heavy sound of the door closing. Let it resonate until the start of the next cut.
Negative: Do not include driving scenes. No BGM.

11-15s [Loading] Cut 5
Scene: In front of the brown wooden florist's shop from @Image7. Fixed camera from directly behind the LUMIO, slightly high angle. Position the camera slightly away from the car to include the rear half of the car and the florist behind it simultaneously.
  The upper half of the screen clearly shows the florist's wooden exterior wall, camel-colored awning, and reddish-brown sign depicting white flowers. It is immediately obvious this is a different location from the venue.
  The rear hatch is open, and the rear seats are already folded down from the start of the cut. The two front seats are visible deep inside the spacious cargo area (cargo area with rear seats folded from @Image8).
Action:
  11-12.5s: The young man enters from the right carrying a flower-filled case with both hands and places it in the back left of the cargo area.
  12.5-14s: Jump cut with the same composition. Three cases are lined up in the cargo area, and the young man carries the fourth case with both hands and places it in the front right of the cargo area. Two rows across × two columns deep, completing four cases in one tier.
  14-15s: The young man steps back, places his hand on the rear hatch, and closes it.
  The young man remains in the frame continuously from 11s to 15s.
Intent: The width of the cargo area is the key to resolving the story. Show that the flowers are not crushed and there is ample space above and to the sides of the cases. Cases must always be carried by the young man's hands, and the contact between hands and cases must be clearly shown. Avoid having cases appear magically in an empty cargo area.
Sound: Sound of placing cases twice. Finally, the sound of the rear hatch closing.
Negative: Do not create shots where the young man is absent. Cases do not appear on their own. Rear seats do not move within the frame. Do not stack cases. Cases do not penetrate the cargo floor or walls. No BGM.

[Closing]
Throughout: Soft morning natural light. Venue is white, florist is brown. Do not confuse the two.
Throughout: Maintain the look of expressive stylized 3D animation.
Throughout: Do not change the faces, hair, clothes, or physiques of the young man, villain, staff, or bride midway. The villain's hair is graying.
Throughout: Do not change the LUMIO into an SUV or van. Do not change the right-hand drive, doors, rear hatch, or cargo area shape.
Throughout: Unify the design and color scheme of flowers and cases. Do not float held cases, do not let them penetrate objects.
Throughout: End with 5 cuts / 15 seconds. Do not add scenes. Do not include long slow motion.
Throughout: No subtitles. No BGM. No dialogue, voices, or humming. No text from sheet borders or labels.